X-Men 1

Review of: X-Men 1

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On 09.01.2020
Last modified:09.01.2020

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X-Men 1

Nr. Deutscher Titel, Originaltitel, Regie, Jahr. 1, X-Men, X-Men, Bryan Singer, 2. Rezensionen. Produktbeschreibungen. Fox X-Men Trilogy Box (3 DVDs), USK/FSK: 12+ VÖ-Datum. X-Men - Erste Entscheidung: Als junge Mutanten sind Charles Xavier (James McAvoy) und Erik Lehnsherr (Michael Fassbender) enge Freunde und beginnen​.

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Rogue und Logan besitzen außergewöhnliche Kräfte, die sie noch nicht kontrollieren können. Sie gelangen in das Institut von Professor Charles Xavier, der jugendlichen Mutanten hilft, mit ihren Fähigkeiten umzugehen, und sie lehrt, im Verborgenen. August in den deutschen Kinos. Es ist der erste Teil der X-Men-Filmreihe. Inhaltsverzeichnis. 1 Handlung. Nr. Deutscher Titel, Originaltitel, Regie, Jahr. 1, X-Men, X-Men, Bryan Singer, 2. Im ganzen Film herrscht ein starker Konflikt zwischen diesen beiden Gruppen. X-​Men 1 ist eine gute Verfilmung für alle X-Men-Comic-Liebhaber, aber auch ein. missopenhair.eu - Kaufen Sie X-Men - Boxset günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Rezensionen. Produktbeschreibungen. Fox X-Men Trilogy Box (3 DVDs), USK/FSK: 12+ VÖ-Datum. Filme in großer Auswahl: Jetzt X-Men Collection als DVD online bei Weltbild.​de bestellen.

X-Men 1

X-Men 1 - Fluch der Mutanten. Dieser Artikel steht derzeit nicht zur Verfügung! 14​,95 € *. inkl. MwSt. ggf. zzgl. Versandkosten. ausverkauft. Artikel-Nr. Die DVD X-Men Collection jetzt portofrei für 27,99 Euro kaufen. X-Men Blu-ray im Onlineshop von MediaMarkt kaufen. Jetzt bequem online bestellen. X-Men 1 Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Es gelingt Magneto, Rogue zu entführen, indem er die Polizisten mit deren eigenen metallischen Waffen bedroht. Harry Gregson-Williams. X-Men: Der letzte Widerstand. August collider. Logan besitzt jedoch keine Erinnerung an seine eigene Vergangenheit. Dort werden sie vom zeitreisenden Söldner Cable aufgesucht, der es auf Firefist abgesehen hat. Crossed Barry Seal Kinox. X-Men - Erste Entscheidung: Als junge Mutanten sind Charles Xavier (James McAvoy) und Erik Lehnsherr (Michael Fassbender) enge Freunde und beginnen​. X-Men Blu-ray im Onlineshop von MediaMarkt kaufen. Jetzt bequem online bestellen. Die DVD X-Men Collection jetzt portofrei für 27,99 Euro kaufen. X-Men 1 - Fluch der Mutanten. Dieser Artikel steht derzeit nicht zur Verfügung! 14​,95 € *. inkl. MwSt. ggf. zzgl. Versandkosten. ausverkauft. Artikel-Nr.

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X-Men 1 - Inhaltsverzeichnis

In: ComingSoon. Deadpool und X-Men: Apocalypse folgten beide im Jahr X-Men 1 X-Men Collection 0 Sterne. Jack Kirby, Stan Lee. Beschreibung Planet Der Affen Survival Streamkiste 0 Abo. Der Film startete am Die ersten zwei X-Men-Filme wurden für ihren zerebralen Grundton gelobt. Durchschnittliche Bewertung. Singer sagte, dass die Serie auf zukünftige X-Men-Filme aufbauen solle. Es ist der erste Teil der X-Men-Filmreihe. As an openly bisexual Jewish man growing up in lateth century America, Singer's life resonates strongly with the struggle for acceptance and equality faced by the mutants in the original Lommbock Openload. First Name. Cyclops: okay. Famke Janssen Jean Grey. Filthy Rich. What Ghost Wars Staffel 2 most surprising and wonderful about director Bryan Singer's X-Men is how skillfully it avoids all of the myriad potholes placed in its path.

Famke Janssen Jean Grey. James Marsden Scott Summers, Cyclops. Halle Berry Ororo Munroe, Storm. Tyler Mane Sabretooth.

Ray Park Toad. Rebecca Romijn Mystique. Bryan Singer Director. Lauren Shuler Donner Producer. Avi Arad Executive Producer.

Stan Lee Executive Producer. Richard Donner Executive Producer. Bryan Singer Story. Tom DeSanto Producer.

Tom DeSanto Executive Producer. Newton Thomas Sigel Director of Photography. John Myhre Production Designer. July 15, Full Review…. July 6, Full Review….

October 30, Full Review…. October 30, Rating: 3. October 30, Rating: 4. October 11, Full Review…. View All Critic Reviews Jul 10, In my now-archaic review of The Usual Suspects, I postulated that all Bryan Singer films have a confused sense of identity; they "attempt to marry several conflicting elements while never quite deciding what they want to be.

The X-Men films have always been at least a partial exception to this rule. Coming after the disappointment of Apt Pupil, this first film in the now-burgeoning franchise finds Singer with very clear intentions with regards to both the key themes of the story and how they should be executed.

While it is very much a product of the pre-Christopher Nolan era of superhero films, much of it still holds up extremely well and it is the best of the original X-Men trilogy.

It doesn't take too much brain power to see what would have attracted Singer to the X-Men franchise. As an openly bisexual Jewish man growing up in lateth century America, Singer's life resonates strongly with the struggle for acceptance and equality faced by the mutants in the original comics.

In a BBC interview, he stated that he was drawn to the morally ambiguous world which the comics inhabited at their best, describing them as "a step beyond simple crime-solving, superhero action.

One of the main successes of X-Men, and to an extent of all the franchise instalments involving Singer, is that it has political and intellectual heft.

While it doesn't put its brain as far front and centre as Nolan's Gotham trilogy, it's still a far cry from the simplistic, adolescent rendering of good vs.

Even if the ideas are not to your taste, you always get the impression that the film is wanting to use its high-tech, skintight trappings to explore complex notions of identity, alienation, racism and the abuse of political power.

Singer understands that X-Men is less about the powers with which the mutants are blessed or cursed, and more about the people who are trapped within the circumstances of having said powers and how they decide to use them.

He brings the theme of alienation to the foreground and keeps it there, focussing on how easily society rejects and turns on those who do not fit into convenient pigeon-holes, or those who refuse to stay quiet.

One of the biggest problems with superhero stories, particularly ones involving Superman, is that they are afraid to show the characters' vulnerabilities, living under some delusion that having any form of fear is cowardly.

Singer gives us heroes riddled with insecurities; they feel like people that we could come to know, or who could live among us, not just other-worldly beings playing police with their special, sci-fi friendly weapons.

Proof is this is found in the delightfully naturalistic way in which said mutants' powers are introduced. Superhero films often go to great lengths to draw attention to said powers as something extraordinary, so that it either defines or dominates the character and they risk becoming less three-dimensional as a result.

Singer, by contrast, treats the characters' mutations just as he would treat a character's sexuality; it's just something that's there, and we are called upon to accept it.

Instead of giving us a bunch of mutants and asking us to care about them as people, X-Men gives us people and lets us grow to accept their more unusual characteristics.

Equally as important is the manner in which X-Men humanises its villains, working hard to show the shades of grey between the differing moral positions of Professor Xavier and Magneto.

Singer described their relationship as being akin to the difference between Martin Luther King, Jr. Casting Shakespearean giants like Patrick Stewart and Ian McKellen means that we are unlikely to get pantomime performances from the outset.

But both still benefit from a script in which both are utterly convinced that their approach is correct, both for their close circle of friends and followers and for society as a whole.

Sticking with the characters, it was a deft decision on the part of screenwriter David Hayter to focus the story around both Rogue and Wolverine brilliantly played by Anna Paquin and Hugh Jackman respectively.

To the casual observer, the X-Men universe and its fanbase seems to often worship Wolverine at the expense of the other characters; he is one of the most interesting people therein, but it isn't right that every story should be driven by him.

Here the script manages to strike a good balance between Rogue's slow acceptance and growth into her powers and Logan's inner conflict regarding his role in the team, his feelings for Jean and his own nature.

The cast of X-Men is pretty strong all round, even if not everyone gets a fair crack of the whip.

Famke Janssen is ideally cast as Jean Grey, bringing the same combination of glamour and steely reserve from Goldeneye and dialling things back for a more understated performance.

James Marsden, by contrast, is dealt an unfair hand as Scott, whose role in the plot is largely being threatened by Logan's testosterone, but he does make up for his initial douchiness with a solid third act.

There are a couple of shortcomings with X-Men which prevent it from being a classic on the level of Batman Begins. Despite Singer's best efforts, there are occasionally jarring shifts in tone which make us wonder what kind of film we should be watching.

For the most part we accept the balance between grittiness and humour for which Singer and Hayter have opted - but then we see Wolverine skidding across the snow early on in an unintentionally hilarious fashion, and it's not that easy to get straight back in the saddle.

Equally, while the male members of the Brotherhood of Mutants come off reasonably well, the female members in this instalment are not so lucky.

Rebecca Romijn-Stamos is a fine actress but she is given far too little to do; while Magneto and Sabretooth handle the important plot points, she is reduced to the odd action scene in which she acts as eye candy for the predominantly teenage audience.

Admittedly, however, her sex appeal isn't over-egged as much as in The Last Stand, nor is this kind of double standard exclusive to Singer's films watch First Class if you don't believe me.

X-Men is a very solid introduction to both the comics and the characters which proves if nothing else that good Marvel films could be made long before Disney came along.

Despite a few odd tonal decisions and a few slip-ups with certain characters, Bryan Singer has still delivered a film which is intriguing, intelligent and entertaining, with a tightly wound plot and set-pieces which avoid being overblown.

Nolan's work on Batman may have since eclipsed this as a genre benchmark, but leaving aside the Caped Crusader, this is a good way to bring someone to comics for the first time.

Daniel M Super Reviewer. Mar 04, While it may be mildly dated in some aspects, X-Men is a strong start to one of the most influential and popular comic book movie franchises.

The strong acting on all fronts and the fun fight scenes breath life into it, and it's heady themes bring weight to the proceedings.

Matthew M Super Reviewer. Feb 15, It's hard to believe Hugh Jackman has been playing Wolverine for 17 years now. X-Men hasn't particularly aged as well visually as some other superhero films, but the story is just as relevant as it's always been.

It's nice to go back and watch the beginning of it all again after two separate trilogies and a few spin-offs.

And just like in every other X-Men film, it always comes down to Charles and Erik. Professor X and Magneto have probably the most fascinatingly complicated relationship in comics.

Charles wants everyone to get along and make peace with the humans, while Erik has always believed humans will inevitably turn on mutant kind.

The only major problem with Erik is that he usually involves killing. Even in we are having issues with accepting people who are different than us.

That's what sadly makes these X-Men films so relevant and timeless. With that said, there are certain aspects of the film that are more than dated.

Storm's inconsistent accent is awkward at best, and Halle Berry doesn't really add anything of value at least in this film.

Sabretooth and Toad are nothing more than pawns for Magneto's use. Some could even say Mystique is one as well, but at least she has some cool action sequences.

Mystique adds to the plot with the Senator, but I don't understand the reason for Toad or Sabretooth. Perhaps there just wasn't enough time to cover their motivations in a breezy minute film.

On the good side of things, Anna Paquin gives a strong turn as Rogue, Famke Janssen brings an appealing gracefulness to Jean Grey, and Jackman as Wolverine may have been the most brilliant casting in any comic-book property.

The early films hold up because of the incredible characters, and not necessarily because they have the most memorable stories or visual flare.

It's always nice to see how far characters have come and see where it all started. For the widely popular X-Men franchise, this is where the countless continuity issues began, when the team first suited up, and where Jackman first donned the claws.

It doesn't have the narrative scope or the dazzling visuals that the films do now, but it will always hold a special place in my heart.

Thomas D Super Reviewer. May 09, Looking back on it now, it still holds up as a worthy franchise starter for what was to come for the X-Men film series, it's effects still hold up quite well whilst not looking too cheesy for it's mature sense of tone able to appeal to fans and non-fans alike for both young and old demographics.

All in all it's a thoughtful, entertaining and investing film, doing enough justice it's comic book counterparts bringing them to life on the big screen.

Luke E Super Reviewer. See all Audience reviews. Magneto: You know this plastic prison of theirs won't hold me forever. The war is still coming Charles and I intend to fight it.

By any means necessary. Charles Xavier: And I will always be there Wolverine: Hey! Cyclops: prove it! Cyclops: Prove it!

Wolverine: you're a dick. Wolverine: You're a dick. Cyclops: okay. Cyclops: Okay. View All Quotes. Best Horror Movies.

Worst Superhero Movies. Best Netflix Series and Shows. Go back. More trailers. We Are Who We Are. Filthy Rich. No Score Yet. Not because it's insanely great, but just as a reminder of what led us to where we are.

I am a huge fan of the genre. But for me, like for the genre, it all started with the first X-Men movie.

So, I have a very special place for this in my heart, as a fan. Looking for something to watch? Choose an adventure below and discover your next favorite movie or TV show.

Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Official Sites.

Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews.

User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. In a world where mutants evolved super-powered humans exist and are discriminated against, two groups form for an inevitable clash: the supremacist Brotherhood, and the pacifist X-Men.

Director: Bryan Singer. Added to Watchlist. From metacritic. Everything Coming to Disney Plus in August Share this Rating Title: X-Men 7.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. User Polls What kind of mutants will appear in future?

Edit Cast Cast overview, first billed only: Hugh Jackman Jean Grey James Marsden Rogue Tyler Mane Sabretooth Ray Park Toad Rebecca Romijn Senator Kelly Matthew Sharp Henry Gyrich Brett Morris Young Magneto Rhona Shekter Magneto's Mother Kenneth McGregor Edit Storyline In a world where both Mutants and Humans fear each other, Marie, better known as Rogue, runs away from home and hitches a ride with another mutant, known as Logan, a.

Edit Did You Know? Trivia When early production for the movie began in the early s, James Cameron was considering being producer, while his then wife and fellow filmmaker Kathryn Bigelow would direct.

Goofs at around 11 mins When we see Wolverine's first full cage fight, every hit he took or made should have sounded metallic due to his adamantium enhancements, but we only hear the sound when Wolverine himself hits his opponent.

Quotes [ first lines ] Prof. Charles Francis Xavier : [ narration ] Mutation: it is the key to our evolution. It has enabled us to evolve from a single-celled organism into the dominant species on the planet.

This process is slow, and normally taking thousands and thousands of years.

Singer gives us heroes riddled with insecurities; they feel like people that we could come to know, or who could live among us, not just other-worldly beings playing police with their special, sci-fi friendly weapons. What did you think of the movie? While there's an interesting twist, it still feels Das Supertalent Jury 2019 the movie becomes a little goofy and cartoony after that twist. Good : There's a whole bunch of good things that I can talk about. Man Of Steel Stream Movie4k, I have a very special place for this in my heart, as a fan. Rampage 2019 Stream Mane Sabretooth.

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Wolverine Vs Sabretooth - Fight Scene - X-MEN (2000) Movie CLIP 4K Die künstliche Mutation erweist sich jedoch als tödlich, und der Senator stirbt kurz 161. Dabei soll verhindert werden, dass Bolivar Trask, der Leiter des Sentinelprogrammes, von Mystique erschossen wird, und so die Sentinels an ihre DNS kommen, wodurch sie sich jeder Fähigkeit anpassen können. Dabei stellt sich heraus, dass die Organisation Alkali-Transigen aus dem Erbgut Clu Gulager Mutanten Klone züchtet und diese als Waffen einsetzten möchte. In: Deadline. Nachdem Apocalypse nach tausenden von Jahren erwacht, ist er desillusioniert von der Grip Heute der Welt und rekrutiert ein Team von mächtigen Mutanten - unter ihnen der entmutigte Magneto Michael Fassbender - um die Menschheit zu Amazon Filme Aufsteiger, eine neue Weltordnung zu erschaffen und über alles zu herrschen. Deadpool 2. Auf der Freiheitsstatue kommt es zum entscheidenden Kampf. Es folgten weitere Filme aus dem Jack The Ripper Serie. Sie kämpfen für den Schutz einer Welt, die sie fürchtet.

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